Review: Mary Poppins at Birmingham Hippodrome

★★★★★

Mary Poppins, the Supercalifragilisticexpialidocious adaptation of P.L. Travers’ books and the much-loved Walt Disney film, has flown in to Birmingham Hippodrome for a magical six-week run. Telling the story of the much-loved nanny, Mary Poppins (Stefanie Jones) and her time with the Banks family, this is a classic tale re-imagined for the stage in captivating colour and splendour.

Right from the opening notes played by the orchestra, the nostalgia rushes in as you’re drawn in to the fascinating world of Mary Poppins and Cherry Tree Lane. Its quaint illustrated yet incredibly intricate and detailed style set design (Rosalind Coombes, Matt Kinley, Isobel Nicolson), has more than a few tricks on its shelves. Whether you’re an adult re-living the wonder or a child seeing it for the first time, this musical will make ‘your heart so light’.

The stage musical is not a direct, play-by-play adaptation of the well-known Disney film but it does feature elements of both the film and the original books. What does remain true, however, is the heart of Mary Poppins with all its sparkling charm, joy, and childhood wonder seen through the eyes of the perfectly precocious Banks children; Jane (Olive Harrison) and Michael (Oliver Benson).

Mary Poppins’ sharp, prim, sarcastic British humour carries through the show, and fundamental moments fans will know and love from the film are held steadfast. The loveable Bert (Jack Chambers) remains the story’s guide and narrator, and is utterly captivating in all his charisma, warmth, and glorious stunts that will surely wow viewers of any age.

From Cameron Mackintosh's bewitched bag, there also comes new moments and twists, including a villain for audiences to 'love to hate' in true pantomime style, as well as some creepier elements, that show off the production’s automation (Nick Hughes).  

As well as slight edits to plot, a few of the songs have been removed or replaced from the original Disney film including the oh-so catchy ‘Sister Suffragette’ which has been replaced by new song, ‘Being Mrs Banks’. Unfortunately, ‘Being Mrs Banks’ doesn’t quite hit with the same feminist flair as ‘Sister Suffragette’ did in the original film. Thankfully, Mrs Banks (Sarah-Marie Maxwell) does still get her independent pay-off in the end.

A great many of the much-loved tunes still take centre stage including: ‘Jolly Holiday’, ‘Chim Chim Cher-ee’, and ‘A Spoonful of Sugar’, so you’re sure to be 'stepping in time' to the beat of this fun and joyous musical.

Perhaps the show’s biggest triumph is the extraordinary and enchanting illusions (Paul Kieve and Jim Steinmeyer); carpet bags that conjure objects, Mary Poppins’ magic touches, and, of course, Mary herself in flight which truly needs to be seen in all its breath-taking glory.

Mary Poppins is truly spectacular, mesmerising, and a masterpiece in the magic of theatre. 'No wonder that it’s Mary that we love!'

Mary Poppins plays at Birmingham Hippodrome until Saturday 23rd August. For best availability and to book tickets now, visit Birmingham Hippodrome's website.

This review was written following a press invite to the production.