Review: The Karate Kid: The Musical at Alexandra Theatre, Birmingham

★★★★★

The Karate Kid is a new musical based on the hit film of the same name. Bringing the 1984 movie to life on stage is a Tony Award-winning design team known for transforming cinematic moments. Celebrating mentorship, connection and resilience, this adaptation of The Karate Kid tells the tale of Daniel LaRusso and the powerful bond he shares with Mr Miyagi; who teaches him that there's more to karate than just fighting, it's about balance, patience and respect.

Adrian Pang leads the company as Mr. Miyagi, bringing the wise and quirky character to life with well-time humour, and a profound depiction of loss. While Gino Ochello in his stage début as Daniel LaRusso will have audiences waxing lyrically about his performance.

They are joined by Abigail Amin as Ali Mills, Joe Simmons as Johnny Lawrence, Matt Mills as John Kreese, Sharon Sexton as Lucille LaRusso, and Finley Oliver as Freddie Fernandez. The ensemble also stars: Ambra Caserotti, Johndeep More, Ria Tanaka, Elena Breschi, Aden Dzuda, Elliott Evans, El Haq Latief, Isaac J Lewis, Emily Rose-Davis, Aaron Archer, Dylan Blake-Colbet, Serenar Douch, Esme Rothero and Sok-Ho Trinh.

A sweeping coming-of-age story that bridges the gap between generations, The Karate Kid has stood the test of time, and this musical adaptation proves it. Its commentary on macho toxic masculinity and bullying vs kindness and understanding is still as relevant today as it was in the 80s.

Honouring the heart of the original, the musical is woven with nostalgia, from the story itself down to the wig design (Tommy Kurzman) with its mullet hair styles, and the 80s fashion from Costume Designer Ayako Maeda. The set design by Derek McLane recreates familiar scenes including the dojo and Mr Miyagi’s workshop, and utilises screen doors to transition scenes and sets with ease.

The musical’s score from Composer & Lyricist Drew Gasparini is a great mix of tunes offering emotional moments alongside upbeat, energetic fight numbers. The music takes it inspiration from Japan, with its melodies tying the musical together.

Similarly, the choreography (Keone and Mari Madrid), while simplistic in places, is particularly innovative in its use of karate movement not just in the combat numbers but also throughout the softer scenes, making use of subtle hand movements.

With a book by Robert Mark Kamen, The Karate Kid: The Musical is a production of striking storytelling, warming humour, and heart that will hook you. Fans of the 80s film and musical fans alike will find much to love about this musical.

The Karate Kid: The Musical plays at The Alexandra Theatre, Birmingham until Saturday 25^th July.

This review was written following a press invite to the production.

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